In this scene we are presented with a
flashback of the disappearance of the husband and in these scenes here, we took various shots of the husband being dragged away. However, we were slightly perplexed as to whether we should implement this scene into our film because we were worried that it would take the
aurora of suspense away. We also were drawn to the idea of the audience using their initial thoughts of the disappearance of the missing husband and to paint themselves a picture of the disappearance. Despite this, we decided to film the scene anyway in case of any change.
In the scenes presented here. We are shown the Boss using brute force against the husband. We also see a shot of his feet being dragged on the floor before the scene where he is tied up to a chair in an
disclosed location. When we see the husband walking down the tunnel, we devised a "
over the shoulder" shot to give a
clear perspective of the husband who is about to be assaulted. We then have the boss played by me walk around the corner at the end of the tunnel. We were very cautious for this scene to look as realistic as possible. for the dragging scene, we wanted the close up of his feet because it created more suspense as the audience is oblivious to the location that the husband is being taken to.
Lastly, we shot the scene of the husband being
confined to a chair and we went to a run down looking shed in the school woods. we decided to put a blindfold on him to make the kidnapping look
intimidating and we filmed in the shed because it looks horrifying and it gave an
enclosed edge to it.
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